The Amsterdam News Building at 2340 Frederick Douglass in New York has been adorned with some funky new murals as part of the #NotaCrime campaign - a multinational public arts project which draws attention to human rights abuses in Iran. The focus of the campaign are the restrictions placed one free speech by the Iranian government - particularly in terms of education and journalism. Hundreds of reporters, bloggers and 'citizen journalists' are met with routine harassment, surveillance and censorship, and many end up in prison. Since the start of the Green Movement, which arose in protest to the election of Mahmoud Ahmadinejah in 2009, Iran has become notorious for its harsh treatment of the press and its limitations on freedom of information. Part of this project is the powerful JOURNALISM IS NOT A CRIME site, which lists biographies of all journalists known to have been jailed in Iran since 1905.
Harlem has become site for the next phase of the #NotACrime campaign, through the development of an extensive street art project which stretches across the city. The projected is currently being curated by Street Art Anarchy, a New York based start up project which collaborates with prominent street artists.
As part of the project, two new murals were painted on the north and south facing sides of the Amsterdam News building. The first was created by Brazilian muralist Alexandre Keto, who uses heavily stylized, Afrofuturist mural to highlight contemporary social issues and race and class inequality. Here's a mural Keto created in Queens as part of the project, demonstrating his recognisable visual style
Keto's work is born out of the Hip Hop movement which continues to be centred around Sao Paulo's large Afro-Brazilian community, and he has become increasingly influenced by African art and its impact on Brazilian culture. Despite still being in his twenties he has racked up an impressive body of work - over 1,000 murals in North and South America, Europe and Africa. For more information on Keto's work and activism head to his website, or check out this interesting feature by NBC News from August last year.
The second Amsterdam News mural was also created by a South American artist - Marina Zumi. An Argentinian drawn to Brazil by its vibrant street art scene, Zumi work generally focused on nature and animal imagery, with the deer a recurrent feature in many of her murals. Her piece is titled "No Truth, No Light", in support of freedom of education for the Baha'is in Iran. For more of Zumi's work check out her instagram
Its been several years now since Johnson Publishing Company's iconic headquarters at 820 South Michigan Avenue was sold to Columbia College Chicago, but it appears that the College is still unsure of what to do with the building.
For a while it was rumored that the Johnson building would provide a home for Columbia's new student center. However, the College has recently announced that its new student center - scheduled for completion in 2018 - will now be developed on another site - High renovation costs for the Johnson building proved prohibitive.
It is unclear what this announcement means for the College's future usage of 820 South Michigan Avenue. Back when the building was acquired the Maynard Institute reported that Columbia intended to use the site as its new library, although these plans were quickly scuppered by the realisation that such application would be structurally impossible.
Current plans appear to point towards the establishment of the John H. and Eunice W. Johnson Center, which will house elements of the institution's fashion, journalism and marketing programs. The specifics of the Center and its usage remain fuzzy, with apparently the only thing agreed on is keeping the iconic EBONY/JET sign atop the building's roof.
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Image taken from Barbara Karant personal website
Two recent articles in Slate and the New York Times have shed light on a new photo project by Columbia College adjunct Barbara Karant, which involves the Johnson Publishing Company's old headquarters at 820 South Michigan Avenue. After the building was sold to Columbia College in 2010, Karant sought - and received - permission to photograph it. Over the past few years she has been developing an impressive photo archive of the building's vintage interior.
The access Karant has been able to get is remarkable - presumably helped by her relationship with Columbia, and also her strong reputation as an architectural and design photographer. On her personal website, she describes the project as an effort to capture the company's unique heritage before 820 South Michigan is (or at least is scheduled to be) transformed into a new library and archive centre.
"This project documents the core essence of the Johnson Publishing Company's historic building in its semi-skeletal state before the final remnants of John Moutoussamy's architectural design, Arthur Elrod's interiors and the last vestiges of the original JPC communal workspace vanish."
Image courtesy of Barbara Karant personal website
Maurice Berger has praised the project for encapsulating the "visual dynamism of early 1970s architectural and interior design", with its boldly patterned carpets and African-inspired textiles, lacquered lounges and dramatic hallways. Perhaps more importantly, the publication recognised the significance of Karant's work as a document which addresses the relationship between black cultural politics and modernism - a relationship which was frequently erased from mainstream descriptions of modernist aesthetics and design.
Aside from being incredibly jealous of Karant's access to the building, her work is a fascinating snap-shot into the building's history and decline. Karant's images document the heavily stylised interior which made 820 South Michigan such a popular stop-off for black tourists to Chicago during its heyday. However, many of the photographs also clearly document how the building has fallen into disrepair, with mould on the carpets and walls, collapsing fittings and peeling wallpaper. As Columbia continues to struggle over how to develop the site, it appears that 820 South Michigan is currently trapped in fading 1970s timewarp.
I recently emailed Barbara about her future plans for the project and she informed me that she hopes to develop her work into a book project - hopefully in collaboration with an architectural historian. I'm excited to see this project develop, and look forward to being able to see more of the building's famed interiors.