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Negro Digest offices, State Street
Ebony magazine, 1992
Ebony magazine, 1992
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A few weeks ago the Amsterdam News offices in Harlem began to draw attention for some striking additions to its exterior. It's not the first time that the building has become the canvas for a public art installation - a few years ago this blog documented the work of Alexandre Keto which was added to its exteriors - although the more recent additions are significantly more political. The artwork is part of a larger installation project orchestrated by "People for the American Way", a progressive advocacy organization "founded to fight right-wing extremism and build a democratic society that implements the ideals of freedom, equality, opportunity and justice for all." Coinciding with the 2020 presidential election, the Amsterdam News agreed to participate in PFAW's "Enough of Trump" campaign. The result: a 30 by 70 foot banner and mural covering almost the whole of its front facade and the building's north facing wall. The installation was created by Carrie Mae Weems, a former MacArthur Fellow and one of the nation's leading Black artists. Artwork by other artists is also featured, including pieces by Shepard Fairey and Angelica Muro. PFAW president Ben Jealous, quoted on the organization's website, contended that "for an historic Black newspaper to blanket their building in Enough of Trump art...sends a clear message to the nation." Amsterdam News publisher Elinor Tatum echoed these sentiments, contending that they were "thrilled to partner with People For the American Way and its ENOUGH of Trump campaign at this critical time. Given the stakes in this historic election, it is more urgent than ever to inspire voters to transform their dissatisfaction over the increased polarization of this country, and the racism that this administration is perpetrating, into votes on Election Day." It's fun to see the Amsterdam News team continue their longer tradition of using the building in this way - a tradition which itself feeds back into the longstanding performative function of Black media buildings stretching back to the nineteenth century. It's also a reminder that despite the publication's somewhat diminished status, it remains an important Harlem landmark.
For more about the project and PFAW visit the organization's website. |